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momus.ca
Relocating Trauma at the Venice Biennale - Momus
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The Anxious Nostalgia of Steven Shearer - Momus
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Never Risky: Seeking New Life at the Singapore Biennale - Momus
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Working It - Momus
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momus.ca
Elvia Wilk - Momus
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Failure in Infinitives: A Remembrance of Bernadette May…
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momus.ca
Momus Talks - Momus
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Radical Looking: (Newly) Seeing Art With My Baby - Momus
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Kate Wolf - Momus
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The Polyphonous Calls for Land (and Land Back) of Manuel Axel Strain - M…
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Do You Believe in Aliens?: Re-Indigenizing the Algorithmic Tropes o…
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Understanding Lina Bo Bardi's Unending Popularity (and Misuse) - …
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Our Visuality: Abortion Care Work and Photography - Momus
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Forms of Echo: Sónia Vaz Borges & Filipa César Draw from a Sense-Me…
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Coco Fusco on “What’s Changed, and What Should?” - Ep. 21 - Momus
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momus.ca
How Does a Collective End? An Interview with Robert Gabris and Ľub…
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momus.ca
On Not Lasting: Diaries, Loss, and the Art of Eva Hesse - Momus
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momus.ca
"The Non-Places Are the Places": Manifesta 14's Uneasy Presence in K…
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momus.ca
The Faces That You Meet: Huma Bhabha's Close Encounters - Momus
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momus.ca
Dora García Has Many Names: The Artist on Three Works Across a Pand…
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momus.ca
Portrait of the Artist as a Young Thief - Momus
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momus.ca
Cyclical Gods: Reliving Pandemic - Momus
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momus.ca
When Feminisms and Futurisms Collide: Judy Chicago and Puppies P…
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momus.ca
Pacita Abad Sees the Soul of an Artifact - Momus
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New Forms for New Crises: The Need for a New Ecological Representation …
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momus.ca
Embraced by an Amniotic Earth: Delcy Morelos at Dia Chelsea - Momus
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The Art of Accumulation in an Age of Decluttering - Momus
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momus.ca
Duplicity and Diptychs: The Maraya Project’s Twinned Visions of Complic…
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momus.ca
Fought Through Women’s Bodies: Mona Hatoum’s Early Performances …
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momus.ca
Plant People - Momus
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Violence and Vibes Haunt Museum London's "Spectral" - Momus
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momus.ca
A Speculative Mourning: Iris Häussler's Lament for Print Media - Momus
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momus.ca
An Aesthetic of Enough - Momus
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An Arch and a Gulf: When Public Art Falls Short of Social Reality - Momus
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The Remains of the Day: Nadia Belerique in Glasgow - Momus
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