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The first names that come to mind in Abstract Expressionism—Jackson Pollock, Willem de Kooning, and the like—may all be men, but women artists also played a crucial role in the internationally-renown ...
Figurative painting, it seems, is destined to be contemporary art’s perennial sidepiece: always available for a fling, never for very long. The last time one could admit to a passion for it without ...
In the 1950s, Jonah Kinigstein was on the verge of making it big in New York's art world. He won a Fulbright to Rome. His paintings got into the Whitney Museum's annual show of contemporary art (the ...
In his preface to Abstract Art: A Global History—arriving this month from Thames & Hudson—Joseph Low (“Pepe”) Karmel, a professor of art history at New York University, writes that the goal of the ...
In the latter years of World War II, the New York art scene started coalescing around a group of artists including Jackson Pollock and Willem de Kooning, visionaries who would develop a daring new ...
Earlier this year, “We Wanted a Revolution: Black Radical Women, 1965–85” at the Brooklyn Museum dropped like a bomb. Mining a seam of engaged, truth-telling art by black women from the Civil Rights ...
Light next to dark on a canvas may seem like opposites, but one cannot exist without the other. If there are no lighter ...
FOR half a century art critics have undertaken to address not a sophisticated minority like the readers of literary magazines, but the mass of unbelievers to whom twentieth-century art is a mystery or ...
"An American Collection: Works from the Amon Carter Museum," New York, NY: Hudson Hills Press in association with the Amon Carter Museum, 2001, pg. 168. Martin, Carter Johnson, "150 Years of American ...
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