One of George Balanchine’s former ballerinas has filed legal action contending that the choreographer’s legacy is in jeopardy. Susan Gluck, a trustee of the George Balanchine Trust, which administers ...

Performances in N.Y.C. Advertisement Supported by Critic’s Notebook He used to say he would be remembered more for his teaching than his ballets. The film “In Balanchine’s Classroom” provides a ...

What makes a great artist great? This is the question that biographies of such figures hope to answer. The question takes on a particular charge in relation to the artist’s formative years. Prompted ...

Houston Ballet dancer Allison Miller had to bend over to catch her breath during rehearsal last week for "Ballo Della Regina," but she was beaming. Other dancers in the room applauded; she'd nailed a ...

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The New York City Ballet will perform Balanchine’s “Symphony in C” during its run at the Kennedy Center next week. (Paul Kolnik) Perspective by Sarah L. Kaufman When a choreographer dies, the art left ...

George Balanchine was under great pressure. The Russian-born choreographer had been hired to create dances for “On Your Toes,” a musical by Rodgers and Hart, and wanted to artfully clash American jazz ...

Cameron Catazaro and Ashley Knox In Jerome Robbins' "The Afternoon of a Faun." Miami City Ballet presented the fourth and final program of its 37th season of dance last week at the Kravis Center with ...

George Balanchine once said ballets are like butterflies, as if to suggest the beauty of a ballet performance was in the dancers’ ability to express the art in that moment, since it will be gone ...