One of the most attractive things about pianist and composer Uri Caine is his creative unpredictability. There are no musical genres he fears and, moreover, fears to combine in the post-provocative ...
Bach’s “Keyboard exercise consisting of an aria with several variations for a two-manual harpsichord” from 1741 maintains its fascination, keeps on filling gaps and finding welcoming new places.
The Classical Variations is, in effect, a commemoration of Uri Caine's decade-long series of ambitious and sometimes idiosyncratic explorations of classical repertoire from Bach to Mahler. It combines ...
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