Color in Motion explores this history of color in film at the Academy Museum. Color in Motion explores the power of color as a filmmaking tool, the science and technologies behind it, and its impact ...
Frames from ‘La légende des ondines’ (1911) featured in ‘Fantasia of Color in Early Cinema’ (GIF by the author via Vimeo) Cover of ‘Fantasia of Color in Early Cinema’ (click to enlarge) Its over 300 ...
Working alone in his Newark, N. J., laboratory Frederick T. O’Grady, inventor in his late 30’s, produced a system of color cinemagraphy that has some advantages over the system recently worked out by ...
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more. The Early Color Cinema Equipment ...
Color theory might sound like nothing more than a cinematic buzzword you last heard in your 300-level fine arts course at university. But the reality is, color theory is the set of rules and ...
I could look ahead and claim that Shane Carruth’s Upstream Color might just be the American arthouse film of the year — if in fact I could tell you with any certainty what exactly it is. There’s never ...
With a speed of ISO 800, Cinema promises saturated colors and moderate grain. Dubble says that a halo effect will be visible around red light, and when shot during the day, Cinema delivers bluish ...
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